|Camila Sposati and Falke Pisano, Lundu (Rugendas), 2017||/1|
Having entered its culminating phase, FORMER WEST, the transnational research, education, exhibition, and publication project of BAK will conclude with a major publication synthesizing its eight year-long efforts. Titled FORMER WEST: Art and the Contemporary After 1989 and edited by Maria Hlavajova (BAK artistic director) and Simon Sheikh (curator and writer, London/Berlin), the book inquires into the complex relationship between art and the contemporary from 1989 onwards, probed through the propositional imaginary of a “former West.”
The publication can be ordered via The MIT Press.
Applications are now being accepted for the BAK Summer School: Art in a Time of Interregnum, an intensive collaborative learning week at BAK, basis voor actuele kunst from 17–21 July 2017, organized in partnership with Utrecht Graduate School of Visual Art and Design (MaHKU) and Utrecht Summer School. The school brings together artists, curators, art theorists, and academics to collectively think through, learn about, and imagine critical, politically-informed artistic practices that work to grasp and influence our dramatically changing times.
Learn more and register here.
|Tiong Ang in collaboration with Sebastián González de Gortari, Ola Hassanain, Jan Yongdeok Lim, Winston Nanlohy, Andrés Novo, Kristina Országhová, Alejandro Ramírez, Heekyung Ryu, and Robert Wittendorp, Sleeper, 2017. Photo: Tom Janssen||/1|
In the publishing line of BAK Critical Readers in Artists’ Practice a publication will be released in 2016 on artists and cultural producers Marion von Osten, titled Once We Were Artists, charting the qualitative changes in the artistic practices in relation to social change in the course of the last four decades.